“Blue Like the Moon” at CABANAmad Gallery, Lisbon
Nestled within the dynamic background of contemporary art in Lisbon, CABANAmad Gallery stands out as a pivotal space for creativity and cultural exchange. Its latest exhibition, “Blue Like the Moon,” presents a profound exploration of contemporary ceramics, featuring the unique perspectives of three innovative artists: Nadia Frolova, Simone Negri, and Réjean Peytavin. Running until April 16th, this exhibition compels viewers to engage not only with the tactile nature of ceramic art but also with the deeper philosophical implications of creation, transformation, and connection.
The title “Blue Like the Moon” alludes to more than just the color; it evokes a sense of mystique and subtlety, inviting contemplation about the realms of perception and the fluidity of reality. Just as the moon’s surface reflects the light of the sun yet remains a distant enigma, the ceramic pieces on display offer layers of meaning, bridging the gap between the physical and the symbolic. The exhibition celebrates ceramics as an ancient craft while positioning it as a dynamic medium capable of conveying the complexities of modern existence.
At the heart of “Blue Like the Moon” lies an exploration of the alchemical act of creation. Ceramics is a transformative process that brings together earth, fire, water, and air—elements that are not mere ingredients but vital participants in a dialogue that shapes meaning. Each artist featured in this exhibition harnesses this dialogue in unique ways, crafting works that reflect their individual philosophies and artistic intentions.
Nadia Frolova’s contributions stand out for their organic elegance, inviting viewers into a world of flowing forms that mimic the natural rhythms of the earth. Her ceramic pieces, often characterized by soft curves and rich textures, evoke the imagery of moonlit landscapes, reminding us of the serene beauty of the night sky. Frolova employs an intuitive approach to her craft, allowing the medium to guide her choices and reveal its inherent characteristics. The result is a body of work that embodies the essence of transformation, echoing the moon’s phases as they shift from one stage to another.
Simone Negri pushes the boundaries of ceramic art with his daring use of color and form. Through a synthesis of tradition and innovation, Negri creates striking abstract pieces that challenge preconceived notions of pottery. His vibrant, playful designs inject energy into the space, engaging viewers on an emotional level. Negri’s work invites us to question the very nature of ceramics: Is it merely functional, or can it also exist as pure expression? His pieces serve as a testament to the idea that ceramics is an evolving language, constantly reinventing itself even as it honors its historical roots.
Réjean Peytavin’s work adds a grounded nuance to the exhibition. With a focus on texture and earthy palettes, his ceramics reflect a deep connection to nature. Peytavin’s pieces often appear weathered, as though they have emerged from the earth itself, embodying the very spirit of their material. They evoke a sense of permanence amidst the transient nature of time, drawing viewers into a contemplative space where they can reflect on their own relationship with the environment. Peytavin’s work translates the complexities of existence into tangible forms, illustrating how ceramics can act as vessels for storytelling and emotional expression.
Throughout the exhibition, a palpable tension arises between the artist’s intention and the unpredictability of the material. This tension echoes the broader human experience of attempting to impose control over life’s uncertainties. The creative act of shaping clay becomes a rich metaphor for the journey of self-discovery and transformation, reminding us that beauty often emerges not from perfection, but from embracing the unexpected.
As viewers wander through “Blue Like the Moon,” they are encouraged to engage in a dialogue with the works on display. Each piece tells a story—a narrative intertwined with the elements that brought it to life. The exhibition is a reminder that ceramics transcends cultural and temporal boundaries; it is a universal language that speaks to our shared humanity. The connections forged through this medium invite us to reflect on our own experiences, as well as the intricate relationships we hold with nature and each other. The serene ambiance of CABANAmad Gallery enhances the exhibition experience, providing a contemplative space where the quiet beauty of ceramics can shine. The artists’ diverse approaches converge harmoniously, creating a dialogue that enriches our understanding of this timeless craft. The works not only serve as artifacts of artistic expression but also as reflections on the nature of existence, transformation, and the fluidity of reality.
“Blue Like the Moon” is not just an exhibition; it is an immersive experience that encourages us to slow down and appreciate the intricacies of our world. The transformative power of ceramics is palpable in the way each artist engages with their medium, highlighting how even in an age of rapid technological advancement, the humble act of creation can still capture the essence of what it means to be human.
As the exhibition runs until April 16th, art enthusiasts, collectors, and casual visitors alike are invited to witness the beauty and complexity of contemporary ceramics. In doing so, they join a larger conversation about the evolving nature of art—a dialogue that reflects the shifting tides of creativity, culture, and connection in our ever-changing world. CABANAmad Gallery continues to be a vital hub for artistic exploration, and “Blue Like the Moon” is a shining example of how art can illuminate the spaces between our lives, much like the moon that inspires it.
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